Presence
Gesture, time, and concept in collision—embodied acts that resist stillness, often strange, always alive.
The Gazebo
The Gazebo
by Akiko Amora
I have known Velocity for eleven years. In that time he has performed inside a running cement mixer, curated a show entirely underwater, and once spent three weeks as a documented rumor. He is not a man who sits still.
Which is why, when the press release arrived, I read it four times.
Velocity announces his most ambitious work to date: an open-ended durational performance, location fixed, duration indeterminate, subject: the question. Press inquiries welcome. Photography permitted. Refreshments not provided.